Every project below was written by people, boarded by hand, and rendered by our own engine. Titles link to production diaries as they open.
Three disciplines, one small house. The plates below come straight off our own engine — no paint-over, no stock, nothing borrowed.
Every film starts as a handful of boards and one image that refuses to leave. If the sun doesn't mean something, it doesn't rise. Scripts are written by people and cut until every frame has a job.
Our sets are made like tidepools — small, exact, and alive to the edge of frame. Every rock, shell and blade of grass is placed on purpose, then handed to the light.
Light is the last author. Dusk, fireflies and practical lanterns do the acting — then our in-house engine and hand-built pipeline render through the night until the frame holds.
Designer figures, prints and story goods from our films — small numbered runs, sold direct from the studio. First drop lands with Sunrise.
One email when the first run goes live. Nothing else, ever.
Our generation stack turns storyboards into moving pictures overnight — characters, sets and motion proposed by the engine, reviewed and decided by a human at first coffee. It multiplies a small crew into a studio.